It’s always a pleasure to join ASTRA for a concert, so I’m thrilled to be playing some Monteverdi in this varied programme this November.
Check out these 17th-C pieces alongside large electronics works by Steve Adam and Warren Burt in the beautiful acoustics of the Church of All Nations!
Details and tickets here.
The total legends at BSO are presenting Mahler’s epic Second Symphony, the “Resurrection”, to round up 2024! I haven’t played this symphony in over 20 years, so can’t wait for this one.
BSO have been known to sell out the 850-seater Ulumbarra Theatre, so you should definitely book now to avoid disappointment.
It is my great pleasure to announce the upcoming release of my debut solo album The Target Has Disappeared on the brilliant Swiss label Discreet Editions.
The album comprises some of my favourite new works for baroque violin composed by excellent composers and special friends Natasha Anderson, Alexander Garsden, and Sam Smith. We recorded in various stages over the past few years, with lots of pandemic- and life-related interruptions along the way. I’m so humbled that it has all come together, and grateful to my label and the inimitable Clara de Asís and Mara Winter for releasing it into the world.
You can check it out here from April 7th.
And see some reviews by:
Michele Palozzo at Esteros here;
Ben Harper at Boring Like a Drill here; and
Peter Margasak at Bandcamp here, where we made The Best Contemporary Classical on Bandcamp: April 2023!
