Thanks to Michele Palozzo from Esoteros for taking the time to listen and write this beautiful review of my latest release on Discreet Editions, “The Target Has Disappeared”.

Latitude 37 had a blast playing this Passions of the Soul concert at Melbourne Digital Concert Hall. Thanks to Jane Downer for reviewing it for us so thoughtfully in classikON.

Thanks to Emma Muir-Smith for this lovely review of our performance at the Peninsula Summer Music Festival, published in The Age: https://www.smh.com.au/culture/music/mood-perfect-music-on-the-peninsula-20191231-p53ny2.html

I was lucky enough to spend an hour with the incredibly talented Romy Ash and she wrote this magical piece about it for The Saturday Paper: https://www.thesaturdaypaper.com.au/2017/08/19/exploratory-musician-lizzy-welsh/15030648005068

The Bendigo International Festival of Exploratory Music is important in so many ways and I’m honoured to be a part of it. Alistair Noble expresses, much more eloquently than I am able, the many virtues of festivals like this one: http://theconversation.com/why-bendigos-exploratory-music-festival-is-worth-trumpeting-31689

Some reviews of Zorn in Oz shows at Adelaide Festival 2014: http://www.glamadelaide.com.au/main/adelaide-festival-review-zorn-in-oz-classical-marathon/

and my personal favourite: http://indaily.com.au/arts-and-culture/2014/03/17/zorn-60/

Check out this review by Ausjazz’s Roger Mitchell of the recent Australian Art Orchestra show at Bennett’s Lane: http://ausjazz.net/2012/10/27/the-sting-in-the-tailfin/

Thanks to Alison Croggon for coming to Metapraxis and taking the time to write this about it: http://theatrenotes.blogspot.com.au/2012/07/metapraxis.html

And also Simon Charles from RealTime:  http://www.realtimearts.net/article/111/10843